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Joel Miller: Unstoppable
ByPerhaps the best way to begin is to accept and honor the designation "chamber symphony," for that is what this is. For the most part, Unstoppable comprises lovely, well-written and thought-provoking music that would hardly be out of place in any reputable concert hall. As for its link to jazz, that rests in large part on one's definition of the term. If the core precept of jazz is, as most aficionados would argue, improvisation, Unstoppable would assuredly lose that argument. Yes, there are a few brief moments of what seem to be unrehearsed ad libs but they are so engulfed by the score's symphonic primacy as to be more gratuitous than necessary.
Having said that, it should be noted that Unstoppable has much to recommend it, from Miller's elegant compositions and arrangements to crystal-clear sound and a letter-perfect performance by the ensemble. The jazz content, however, remains minimal. Yes, there is rhythm, but almost all music has that in some form or other, and even rhythmically, Unstoppable is for the most part rather far removed from the edgy cadences generally associated with jazz. To carry out his plan, Miller employs what is essentially a fourteen-piece group that embodies two trumpets, the same number of flutes and clarinets, one bass clarinet, a tenor saxophonist who doubles on clarinet, one horn and a five-piece rhythm section (piano, guitar, bass, drums, percussion). He also enlists (on the first three numbers) a guest conductor, the well-respected saxophonist Christine Jensen, who oversees the prefatory "song story" ("Gyre," "A Party," "Change of Scenery"). No, she is not able to transpose Miller's themes into anything resembling jazz. The remainder of the program consists of a six-part medley, "What You Can't Stop"; the four-part Deerhead Hoof Suite, and one stand-alone song, "Dance of the Nude Fishes." Nice music but, again, more "chamber symphony" than jazz.
For purposes of grading, should one overlook the fact that Unstoppable is broadcast as a jazz album but contains precious little jazz? Or perhaps award a high grade with an asterisk to lay bare its true nature? Or instead, write an impartial review that spells out as clearly as possible in layman's terms what the album is and is not. Yes, that should cover it.
Track Listing
Song Story: Gyre; A Party; Change Of Scenery. What you Can't Stop, Pts. 1-6. Dance Of The Nude Fishes; Deerhoof Suite: Intro; Pachamama; How Do You Breathe?; Finale.
Personnel
Joel Miller
saxophoneJoel Miller: tenor saxophone, soprano saxophone, conductor; Billy Kerr: flute; Nadia Sparrow: flute; Mark Simmons: clarinet; Luc Jackman: clarinet; Jennifer Bell: bass clarinet; Bruno Lamarche: tenor saxophone, clarinet; Jocelyn Veilleux: horn; Lex French: trumpet; Bill Mahar: trumpet; David Ryshpan: piano; Erin Donovan: percussion; Steve Reagele: guitar; Fraser Hollins: bass; Kevin Warren: drums; Sacha Daoud: percussion (2, 6-9); Kullak Viger Rojas: percussion (2, 7, 8); Christine Jensen: guest conductor (1-3, 10).
Album information
Title: Unstoppable | Year Released: 2019 | Record Label: Multiple Chord Music (MCM)