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Jack Bruce: Jack Bruce: Things We Like
ByJack made a few calls, and before long he had Dick Heckstall-Smith (ex Graham Bond Organisation) on saxophone, drummer Jon Hiseman, and guitarist John McLaughlin. As Jack explained, "Because of the success of Cream I had the ability to go into the studio and record an album of jazz-based material. The compositions I chose to record were mainly those I'd written when I was eleven years old." Now this critic can't speak for anyone else, but I haven't met too many people who've told me that the inspiration behind their latest creation was based on work they'd written before they were capable of procreating. Or perhaps Bruce was one of those wunderkinds who was just a few years ahead of natural evolution. Who knows.
The almost free jazz of "Over the Cliff" is the opening track, and is all energized drumming and schizo-sax, certainly not the sort of thing one would have expected from the man who brought us such rock anthems as "White Room" and "Sunshine of Your Love." "Statues" is another experimental, sax dominated number, though by the 2:20 mark the band break out into something a little more structured and listener friendly, in that free jazz 1950's sort of way. In other words, if you're not into people such as Ornette Coleman, then this is probably not for you.
On the medley "Sam Enchanted Dick/Sam's Sack/Rills Thrills" the group sound like a quartet of cosmologists arguing over the nature of Dark Matter, each with their own point of view and theory as to what it is and how to find it. The saxophone on "Born to Be Blue" almost borders on atonal, but Heckstall-Smith doesn't stray too far from the scales of normality, always managing to prevent the composition from wandering off into the farthest reaches of the avant-garde universe.
"HCKHH Blues" sees the band in busy highbrow affair, with plenty of tight yet nervous drumming from Hiseman, a little neurotic saxophone by Heckstall-Smith, and some angst-ridden guitar courtesy of McLaughlin. What really stands out is Bruce on double bass, whose technique is so natural that even Charles Mingus would have been impressed. The same goes on "Ballad for Arthur," a relaxing piece, with Jack plucking at the bass strings, while McLaughlin finds his inner Zen.
The title track is perhaps the most accessible of the lot, and actually the most enjoyable. Yes it's busy, yes it's irritable and unnerving in places, but there's something about it which this listener in particular can't quite put his finger on. I guess like a lot of aspects in life. It's the things we like after all.
Recorded over three days, in August 1968, Things We Like wasn't released until 1970, once Cream was well and truly over, and Bruce had embarked on his solo career proper, beginning with the superb Songs for a Tailor in 1969. And although the record failed to chart, it was received well by the critics, who regarded it as an exceptional study in modern jazz. While many fans of his previous band must have thought "what's all this cerebral rubbish? Bring back Eric!"
Jack Bruce was a man of prodigious musical ability, and when he passed away in 2014, it was as if not just one star, but an entire constellation had suddenly gone out. Such was his contribution to popular music, a contribution which was as immeasurable as it was magnificent. He will never be forgotten.
Track Listing
Over The Cliff; Statues; Sam Enchanted Dick; Born To Be Blue; HCKHH Blues; Ballad for Arthur; Things We Like; Ageing Jack Bruce, Three, From Scotland, England (bonus track).
Personnel
Jack Bruce
bass, acousticJack Bruce: Double bass; Dick Heckstall-Smith: soprano saxophone, tenor saxophone; John McLaughlin: guitar; Jon Hiseman: drums
Album information
Title: Jack Bruce: Things We Like | Year Released: 2016 | Record Label: Polydor Records
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