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Stanton Moore: Living Outside the Box
![Read "Stanton Moore: Living Outside the Box" reviewed by Renato Wardle](https://s3.amazonaws.com/allaboutjazz/old/images/small/smoore2005.jpg)
by Renato Wardle
These days, it seems as if everyone is obsessed with the phrase, thinking outside the box. Aside from being the most over-used phrase in marketing, it also happens to be the most misused phrase. Typically, it is applied to the antithesis of the idea, like a fastfood chain. When in comes to music, in these days ...
Garage a Trois: Outre Mer
![Read "Outre Mer" reviewed by John Kelman](https://s3.amazonaws.com/allaboutjazz/old/styles/gatrois2005b.jpg)
by John Kelman
Film music has its own sets of demands, often required to elevate the emotional content of the cinematic story while at the same time seamlessly blending so that it doesn't dominate. And while scores can literally define the mood of a film at their best--think Hitchcock's Psycho--and some only work in conjunction with the films for ...
Flyin' The Koop
![](https://s3.amazonaws.com/allaboutjazz/coverart/large/MI0000356241.jpg)
Label: Blue Thumb Records
Released: 2002
Track listing: Tang the Hump; Fallin' Off; Let's Go; Launcho Diablo; Prairie Sunset; Things Fall Apart; Amy's Lament; Magnolia Triangle; Hunch; Bottoms Up; For the Record; Organized Chaos.
Stanton Moore: Flyin' The Koop
![Read "Flyin' The Koop" reviewed by Glenn Astarita](https://s3.amazonaws.com/allaboutjazz/coverart/large/MI0000356241.jpg)
by Glenn Astarita
Drummer, Stanton Moore extends the lineage of the great New Orleans reared drummers along with a deeply personalized and often rip-roaring viewpoint on his latest solo effort. A founding member of the so-called, steamroller funk" outfit known as Galactic, the drummer and his notable musical associates endow the listener with a downright riotous series of grooves ...
Stanton Moore: All Kooked Out!
![Read "All Kooked Out!" reviewed by Douglas Payne](https://s3.amazonaws.com/allaboutjazz/photos/profile/musician/47891b467675d6bbe733459f9f93b391.jpg)
by Douglas Payne
It takes a special kind of drummer to be a leader. Maybe a nervy one. There's the temptation to grandstand with showy over-domination or remain buried in a rhythm section and let someone else take the honors. The most successful drummer-leaders are either innovative melodists like Art Blakey, Shelly Manne and Tony Williams. Or they're artful ...