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Ahmad Jamal: After Poinciana
by Chuck Lenatti
Part 1 | Part 2 | Part 3 On Location and at the Penthouse In an apparent effort to capitalize on the new-found popularity from his 1958 record, At the Pershing, But Not for Me (Argo LP628), Ahmad Jamal released a flurry of albums between 1958 and 1970, many of them recorded on location. ...
Why Jazz?
by Dom Minasi
This is my first All About Jazz article since 2015. So much has happened to the world around us. I've been thinking a lot lately about my career choice and why I chose jazz and I wanted to hear why some of the best chose to devote themselves to a career in jazz. Here are their ...
Dave Holland: Passing the Torch
by Dylan McGuire
Standing onstage in the auditorium of the Philadelphia School for Creative and Performing Arts (CAPA), a lanky, grey-haired gentleman stands by the piano, directing a small group of student musicians playing Herbie Hancock's “Cantaloupe Island." He stops the song during the trumpet solo and says to the student in a British accent, “Did you ...
Mark Weinstein: Timbasa
by Raul d'Gama Rose
It would seem that there is no stopping flutist, Mark Weinstein. While the composer and instrumentalist extraordinaire may not have trumped his awe-inspiring expedition into the realm of improvisation, Tales From The Earth (Ota Records, 2009) his album, Timbasa has certainly turned out to be an alchemist's dream. Who would ever have imagined that Miles Davis' ...
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