Home » Jazz Articles » Jazz From The Vinyl Junkyard » Ronnie Foster: On the Avenue & Cheshire Cat

311

Ronnie Foster: On the Avenue & Cheshire Cat

By

Sign in to view read count
While it's true that the declining years of the Blue Note label saw many releases of a lesser quality when compared with the golden gems of the label's heydays, sweeping generalizations lead to value judgments that might not always be applicable. Up through the mid '70s, artists like Horace Silver and Gene Harris continued to record viable albums even if they didn't quite reach the heights of earlier accomplishments. During this same era, a few uniquely talented young artists made the scene in an attempt to bring the music in line with the current fashions and trends.

A native of Buffalo, organist Ronnie Foster was one of the lucky ones to hop on board the Blue Note train just prior to the label's demise. A proponent of the funky organ crowd of the time that boasted peers such as Rueben Wilson and Lonnie Smith, Foster's first two records, Two-Headed Freap and Sweet Revival , met with little critical success and even less popular appeal. Still, Blue Note stuck with Foster and a live set from 1973 at the Montreux Jazz Festival proved that he had chops to burn and was a talent deserving of wider recognition.

It's at this point that guitar man George Benson would step into the picture to serve as producer for Foster's next two albums, On the Avenue and Cheshire Cat , both the topic of attention this month. The former release, from 1974, very successfully walks the thin line between jazz sensibilities and more commercial proclivities. With backing from Phil Upchurch on guitar and bass and drummer Marvin Chappell, Foster's ensemble also includes a percussionist and four-piece horn section. The groove is mostly of the funk variety, although "Big Farm Boy Goes To a Latin City"? speaks with a salsa tongue and Freddie Hubbard's "First Light"? is a marvelous straight ahead vehicle for the organist. Foster also debuts his singing talent on his own "To See a Smile"? and proves to be a talented vocalist to boot.

By the time of 1975's Cheshire Cat , his last effort for Blue Note, Foster had put all key elements in place for his strongest showing to date. A funky and deeply satisfying affair that remains a prized favorite of the acid jazz crowd, this set presents us with all three aspects of Foster's musical personality-the keyboardist, vocalist, and composer. His originals are catchy and disparate in their moods and complexities. "Like a Child"? is prototypical with its memorable chorus and pop- friendly attitude. The real highlight though is a reworking of Stevie Wonder's "Tuesday Heartbreak"? which just might be more exciting than the original, thanks to an incendiary Latin jam that gets things cooking early on.

While Cheshire Cat was briefly available as a Japanese import several years ago, both of these albums have been shamelessly hard to acquire even through the Internet. Unlike a majority of the soul-jazz fare of the time, Foster's final two Blue Notes have not dated a bit and are a key reminder of the organist's neglected talents. With so many Blue Note albums appearing in their second or even third incarnations, it would do the label well to dip further in the vaults for albums such as On the Avenue , Cheshire Cat and others that have yet to even debut on disc.

Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Jazz article: Artie Butler: Have You Met Miss Jones?
Jazz From The Vinyl Junkyard
Artie Butler: Have You Met Miss Jones?
Jazz article: Moacir Santos: Maestro
Jazz From The Vinyl Junkyard
Moacir Santos: Maestro
Jazz article: Bobbi Humphrey: Flute-In
Jazz From The Vinyl Junkyard
Bobbi Humphrey: Flute-In
Jazz article: Ronnie Foster: On the Avenue & Cheshire Cat
Jazz From The Vinyl Junkyard
Ronnie Foster: On the Avenue & Cheshire Cat

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.