Home » Jazz Articles » Album Review » Nirvana: Black Flower

77

Nirvana: Black Flower

By

Sign in to view read count
Nirvana: Black Flower
This is not a newly unearthed recording by the Seattle-based grunge rock band, Nirvana. Hence, this Nirvana was a short-lived progressive pop unit that formed in 1965, led by the duo of Irishman Patrick Campbell-Lyons and Greek composer Alex Spyropoulos, both supplying the vocals. Once again, UK-based Cherry Red Records stokes the olden flames to remaster unsung titles from the late 1960s and 1970s, predominately for staunch allies of the classic prog era. For some, these reissues are akin to the gift that keeps on giving.

Of particular note pertains to a young, and soon-to-be celebrated, producer Tony Visconti (David Bowie, T. Rex, Gentle Giant) who had a hand with the orchestral arrangements, even though supporting musicians are not noted in the CD jacket. Complete with extensive liner notes providing insight into the band's evolution and demise, these tracks recorded in 1969 are largely grounded with radio-friendly themes amid the vocalists' low-key and warmhearted choruses. Indeed, they highlight that era's British pop wave, along with some clearly defined Beatles influences with lovely hooks, plush horns and blossoming strings arrangements. On the flip side, notions of Frank Sinatra or Tony Bennett cranking out a ballad atop some of the heavier strings and horns movements kindle memories of an archetypal Nelson Riddle arrangement.

With harpsichord passages tinting or framing a given melody along with densely populated orchestrations, this group reminds us of a rather illustrious, cutting-edge timeframe for rock. Unfortunately, this album was never released for a lengthy period of time due to record label-based issues. But the production offers several endearing works atop perky backbeats, wistful vocals, airy flute movements, mellow sounds and other niceties. They even toss in some rangy C&W guitar licks but works such as "Black Flower" are devised with circular riffs and female vocalist Lesley Duncan's angelic singing atop a catchy pop motif, intermingled with sonorous interludes. Her dreamy choruses and the producers' shrewd orchestral backdrops encapsulate a piece that seemingly could have been a major hit, but in reality, never saw the light of day.

The album notes discuss the all too familiar issues with record labels back then: lack of promotion and capital expended on many worthy bands who, unlike others, never overcame the uphill battles. No doubt, the duo excels at melody-making, evidenced on "Illinois," which is another pop hit contender, augmented by a hummable theme. Moreover, the album includes bonus tracks. Sure, the program sounds a little dated, but while many critics bestowed praise, the artists did not enjoy a commercially viable run. However, their second recording The Story Of Simon Simopath (Island Records, 1967) is touted as rock's first narrative concept album, released before The Who's Tommy (Decca, 1969) and The Kinks' Arthur (Reprise, 1969).

Track Listing

The World Is Cold Without You; Excerpt From The Blind and the Beautiful; I Talk To My Room; Christopher Lucifer; Aline Cherie; Tres, Tres Bien; It Happened Two Sunday's Ago; Black Flower; Love Suite; Illinois. Bonus Tracks - Taxi (previously unreleased); June; We Can Make It Through; Illinois (Take 2) (previously unreleased; Love Suite (Take 2) (Instrumental).

Personnel

Written and Performed by Patrick Campbell-Lyons and Alex Spyropoulos. Arrangements by Mike Vickers, Johnny Scott, Tony Visconti and Alex Spyropoulos. Leslie Duncan: vocals.

Album information

Title: Black Flower | Year Released: 2018 | Record Label: Cherry Red Records

Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Sensual
Rachel Z
Over and Over
Tony Monaco Trio
Love Is Passing Thru
Roberto Magris

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.